![]() ![]() The method also allows me to eq and compress on the way in to PT9.Īnything I record is routed to pt9 via this method and returned from protools to channel 1-2 which is muted during recording and unmuted during playback via a free plugin called automute. My input then goes to the assigned buss which takes it to protools. This allows my to run hotter on my mic pre, I like to do this, and then roll down the fader if I need more headroom in pt9. I rout to buss/direct on my input channels but I select stereo *post fader* instead of direct. SLOT1 Trk 1-8 is where CH1 is, so I'll select that.Ĥ) On the left, under SLOT1 Trk 1-8 assignments, select spot 1 and move the jog wheel until you see "Buss 1/DIR1" Now press ENTER.ĥ) Once you have hit the "SEL" button on the input channel you are trying to route, you should now press the "DIRECT" button in the OUTPUT ASSIGN area, left of the display. There are three basic routing solutions for each module:ġ) INPUT BYPASS: Which bypasses anything that has to do with your module and routes your dry inputs directly out of the board, typically over FW (or ADAT or TDIF etc)Ģ) DIRECT: Which routes the input signal outbound directly after the input module in use (POST EQ/GATE/COMP-EXP/Fader/Phase)ģ) BUSSED: Which routes the input signal outbound via any of the Busses (AUX buss, STEREO Buss, or any of the 16/24 Busses)īTW, only works for CHs 1-32 on the DM3200, and 1-48 on the DM4800.ġ) Go to ALT/ROUTING/OUTPUT SLOT Tab (assuming you are using the FW card IN slot 1)Ģ) Starting on the right use POD4 and select BUSS/DIRECT.ģ) In the middle, use POD3 and select which set of channels you are working with. If you are needing to record your input signals post module, (with EQ/GATE/COMP-EXP and fader volume), look into routing DIRECT. If you can't find the instructions, let us know, and we'll point you in the right direction. Then ANYTHING you do - change a fader, add EQ, compression - or insert an effect into the channel ('verb delay) - carries over to the Ptools track where it LIVES FOREVER unless you -RE-Record the original track 'dry.' This is called in the Input Direct method, and it's been described many times here.ĭo a 'Search' on the DM3200/4800 Forum (this one) using keywords like: 'INPUT BYPASS".'Bussing Signal Direct,l' etc etc. You just bus the DM's channel modules DIRectly to the DAW. However, it's quite easy to print efx to the DAW from the DM. This way, you can make continuous changes throughout the production process until you're ready to mix it all down. So - using the 'Input Bypass' method (where the source is plugged directly to the DAW, bypassing the DM's channel strips and efx, the signal is split: one side goes to PTools, the other - to the DM's stereo mix bus so YOU CAN HEAR WHAT EFX SOUND LIKE WITHOUT PRINTING THEM DESTRUCTIVELY TO THE MATERIAL. ![]() Then, you can easily end up with a mix that sounds wrong at best, and absolutely terrible at worst. Why is that important? If you print an EQ or compressor to a PT10 track, it becomes part of the signal and CANNOT BE CHANGED! It cannot be removed, but it may certainly be made worse by additional unnecessary signal processing. The result, then, is mixed down to a PT10 Stereo Track, and/or to another device (hard drive, tape, DAT, etc). The idea is to print uneffected signal to your DAW (PT10), then when the project is finished recording, the efx ('verb/delay/compressors/limiters) on your DM feed into the mix, when you can adjust each effect in the overall blend. ![]() I would like some advice on how to solve this problem.Īctually, it's not a problem to be solved - it's a method to be embraced. voice on channel one, compressor + eq, and record on pro tools. I wish I could do this without resorting to aux or buss but directly. How to record a track with pro tools compressor, eq or fx on the Tascam? I would like some advice on how to solve this problem. for example I've recorded a bass line and I applied a compressor, the monitors being monitored feel the compressor, when I go on pro tools and hear the recording made is rather clean, without compression. I would like to be able to apply the compressors and equalizers on the Tascam and record on pro tools track with the effect. ![]() The signal recorded in pro tools is clean, with no effect. All the Tascam analog channels are routed in Pro tools correctly and register without any problem. Unfortunately, finding a problem, I tried to fix it but all my attempts failed. I am proud owner of a Tascam DM 4800 to use with PT10. Using a language translator, and I apologize for my English. Hello everyone, I'm new to the forum and I'm happy to have found you. ![]()
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